Page 19 - Fiji Traveller 2023 Issue 5
P. 19

Her landscapes include local scenes, such as Suva    At one time, Ricketts’ paintings adorned many Fijian
        cottages, water lilies and the tree-lined road that leads   homes as they featured on calendars widely distributed
        into Lautoka—Ricketts relates the story of a friend who   by a local brewer. Paintings recently displayed at
        threatened to tie herself to one of those trees when   the Oceania Centre were largely drawn from private
        it was suggested they be cut down. She also paints   collections, a big task that involved shipping work from
        scenes of Indo-Fijian life, which she felt were under   as far as Scandinavia.
        represented in local art when she was first starting out,   For this reason, Ricketts says it is a once in a lifetime
        as well as a cross section of Fijian society, including   exhibition.
        powerful Fijian women.                                “I think it’s the fact that the paintings are owned
         A painting of her best friend Sue Halapua, one of   by different people,” she says. “Some of them live in
        the first women to be ordained as a deacon into the   countries like my daughter in Norway and my brother in
        Anglican Church in Fiji, is amongst her favourites.    New Zealand. It’s not easy to get the works together so
         “I guess I like it, partly because I think it's not a bad   it’s not going to happen again.”
        likeness of what Sue was like then, and I feel that the   Ricketts is self-effacing: “I consider myself a teacher
        pillar represents the oppressive structure of the church,   with art as a hobby”, while acknowledging that seeing all
        and the [sense of] loneliness.”                     her paintings together gave her great joy.
         Until recently, Ricketts volunteered as an arts teacher   The Director of the Oceania Centre, Larry Thomas,
        for the Fiji Corrections Service. Brought on in the early   says in staging the exhibition of Ricketts’ work, he
        days of the Yellow Ribbon campaign, what was initially a   wanted to recognise a female artist who has chronicled
        two-week appointment turned into well over a decade of   some of Fiji’s most important historical moments.
        volunteer service.                                    “Jane Ricketts in my view is an important artist in Fiji.
         “I enjoyed their company,” Ricketts says of the inmates   We have many young artists, contemporary artists. We
        she worked with. “I think they blossomed because they   don’t have a lot of artists like Jane whose focus is on
        had this talent that hadn’t been recognised before.”  realism.”


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