Page 18 - Fiji Traveller 2023 Issue 5
P. 18

Jane Ricketts’




                                                                Memories of




                                                             Fiji and family













































         By Samantha Magick and Elizabeth Kolivuso           the University of the South Pacific depicts the funeral
                                                             of Dr Timoci Bavadra, who was deposed in the 1987
          Suva artist Jane Ricketts’ paintings are a window into   coup. The painting captures the sense of quiet grief of
         Fiji’s history and history-makers, iTaukei and Indo-Fijian   the many people in attendance, and the deep Fijian
         culture, cityscapes and intimate depictions of her family.  traditions of the occasion.
          Ricketts developed her interest in art at a very young   Equally powerful are a number of paintings and
         age, at the knee of her grandfather, who painted    collages made after the 2000 coup, including portraits of
         landscapes. But it was a turning point in Fiji’s history that   coup perpetrator, George Speight, and another of Sharon
         prompted her to take up her brushes.                Bhagwan-Rolls, who was one of the leaders of the ‘Blue
          “I took up painting after the first coup, partly because I   Ribbon Vigils’, prayers held in support of MPs who had
         was so disturbed by what happened and I was becoming   been held captive at the former Parliamentary complex
         difficult to live with, too beset with anger and I felt I   for 56 days. Other paintings in this series depict the
         needed something to help me relax, and I loved art. So I   “desecration” of the parliamentary complex by the many
         went to classes, particularly with (then Fiji-based Dutch   people who camped there during the hostage period, and
         artist Jasper Schreurs, who was employed by the Fiji   burnt-out vehicles abandoned in the riots that occurred in
         Arts Council. And that's when I started painting regularly   the early days of the coup.
         myself."                                              Across her body of work, Ricketts’ elegant use of
          One of the most moving and powerful paintings in   watercolours, oil paints and paper collage bring her
         Ricketts’ recent exhibition at the Oceania Centre at   subjects, and their stories, to vivid life.


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