Page 33 - Fiji Traveller Issue 3
P. 33

The Red Wave pioneer still



                               challenging himself







                                                  Mason Lee



        By Max Cross                                         didn’t know how to do, because they were just playing around
                                                             and joking and doing nothing. My teaching myself how to do
         Mason  James  Lee  has  been  a  leading  light  in  Fiji’s  art   what interested me had to come before I could teach myself to
        scene since his first exhibition in 2000. The self-taught, award-  paint. If we have money or no money, you must know how to
        winning painter, muralist and interior designer, is of Chinese   live. If you're just a painter and doing nothing else, then you’re
        and iTaukei heritage.  Born and raised in Suva, Mason feels   not really a true artist. To be an artist is to know your whole
        a deep connection with his paternal family land in Bua on the   surroundings.”
        island of Vanua Levu, somewhere he visited often as a child.   Several years ago, Lee was invited to join a group of artists
         Best known for his fine art paintings, Lee is not confined by   at the University of the South Pacific’s Oceania Centre for Arts
        colour,  composition,  value,  form,  brushwork,  or  perspective.   and Culture. The late Dr Epeli Hau’ofa, the highly respected
        Working in oil, acrylic, enamel, slate, charcoal, pencil, ink, and   and deeply impactful Oceania Centre Director, included Lee in
        more, often mixing materials and form in the same piece, Lee   an artist’s collective which became known as the Red Wave.
        depicts  a  juxtaposition  of  the  unseen  and  the  seen.  Mixing   The group of painters and sculptors, who worked out of, or had
        the natural world above and beneath the waves is a common   close ties to OCAC, encouraged and nurtured an appreciation
        feature. Portraits of individuals, often women and children,   and pride in indigenous Pacific identity, images, culture, and
        have a sense of realism and even hyper realism, while abstract   its capacity.
        human forms intertwine in many of his images.          Lee’s first exhibition was at the Oceania Centre. In the 20
         Playing with perspective and depth in layers, Mason uses   years since then, his work has hung from walls in celebrated
        colour to bind and unify multiple worlds. In one piece on display   galleries around the globe. Still, Lee remains ambitious and
        at the week-long Savusavu Art and Fashion Festival held at   continues to strive for growth as an artist.
        Daku  Resort  in  March  2023,  a  traditional  Fijian  masi  (tapa)   “I  know  I  have  to  challenge  myself  and  show  my  work
        pattern formed one section, representing the ocean floor, with   overseas. There are thousands and thousands of artists who
        a realistic fish as the central subject above. In another artwork,   are better than me, who are greater than me. Right now, the
        abstract and colourful human forms represent the complexity   biggest thing I think about is [that] I need to do something
        of self, and sit alongside a realistic portrait of a woman, giving   that will speak about me and stands out when exhibited with
        the impression that these abstract figures form her secret self,   international artists at that highest level. I've been to London
        her fears, and her desires, with more space allotted to the   and  have  been  exhibited  in  Germany,  USA,  New  Zealand,
        inner and unknown elements than the outwardly seen.   Australia  and  nearly  all  of  the  Pacific.  I’ve  shown  pieces  in
         Lee’s father was an artist, working with sculpture, fabric and   China, but I do not feel I am where I need to be, creatively.
        watercolours. However Lee rejects the notion that he became   “I'm moving away from my previous work. I'm trying to move
        an artist because he emulated his father. Seeing a parent   in a way that I know will be different from anyone else. It's not
        use their time to paint and create when you are a child will   about the colour or the subject that I choose. It's about the
        inspire and influence, however, Mason sees his vocation as   comfort that I choose. It is not about what appeals to people,
        something more.                                      or what people find pleasing. What I’m doing right now is what
         “There can be one thousand artists in one room, all doing   appeals to me.”
        a lot of things, drawing, or painting, but out of the thousand,
        there can only be one true artist within. It's about the way you   Mason James Lee is on Instagram @masonjameslee.
        live. Your mind needs to be independent. I taught myself many   Lee has artwork for sale and accepts commissions. He can be
        things, not just to paint and draw but to swim, to go diving. At   reached at masonjameslee@gmail.com
        a young age I had taught myself to do things people my age







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